Limp bizkit lyrics and Limp bizkit guitar tabs, Limp bizkit pictures and biography

Vocal --- Fred Durst
Guitar --- Wes Borland
Drums --- John Otto
Base --- Sam Rivers
Sound --- DJ Lethal

Limp Bizkit is anything but what's implied by
its unusual moniker which, by the way,
refers to the limp bizkit brain of one of
the band's burnt out, pot-smoking maniac
roadies. These Jacksonville gents possess one
helluva monstrous sound that will
literally knock the wind right out of you. Dark,
intense, powerful, enlightening and energetic
Limp Bizkit redefines any and all musical genre
barriers whilecreating an entirely new standard
for aggressive music. Definitely a leader
and not a follower, Limp Bizkit slams out a
completely innovative, singularsound steeped in
funky-ass bass grinds, tinges of jazzy percussion,
phat hip-hop grooves, jagged guitar riffs and an
overall intensity that packs a wallop with more bite
than a pissed off pitbull on crack. The vocals range
from angry outbursts and vein-popping screams to
groovy little raps and soft spoken,seductive whispers.
The Bizkit began in late 1994 when vocalist Fred
Durst hooked up with his long time friend and bass
player, Sam Rivers, who in turn recommended bringing
his jazz drumming cousin, John Otto, in to round
out the rhythm section. Before long, guitarist Wes
Borland and DJ Lethal
(House of Pain) joined the
fold and Limp Bizkit was born. Their first break
came when a little
(ahem) band by the name of Korn played
their first gig in the Jacksonville area. After the
show, Korn's bassist Fieldy and guitarist Head met
up with Fred and went back to his place to get a few
tattoos
(Fred is not only an amazing singer, but
also an accomplished tattoo artist). An instant bond
of friendship was struck between them and the next
time Korn came back to Jacksonville they hooked up
with Fred again.This time Fieldy and Head heard the
Limp Bizkit demo and were immediately impressed with
the band's powerful sound so much so that they promised to
pass the tape along to producer Ross Robinson

(Sepultura, Korn). They did,and Ross loved it.
The buzz on the band began to intensify twofold and,
as a result, Limp Bizkit landed a tour with House of
Pain and another with theDeftones. Offers from record
labels across the country began pouring in.
After carefully considering all of the deals, Limp Bizkit
chose to signwith up-and-coming indie label Flip Records,
which in turn brought them to Interscope. Produced by
Ross Robinson and mixed by Andy Wallace

(Nirvana, Smashing Pumpkins), Limp Bizkit's
phenomenal debut album, Three Dollar Bill, Y'all$,
blends the perfect amount of street-wise attitude,
honest emotion, slammin' grinds, instantly infectious
grooves and powerful Iyrics into one huge,
bubbling cauldron of intense power.
The Iyrics are as potent as they are personal
and the band's straight from the heart style of
songwriting will appeal to all audiences.
The furious, vengeful Counterfeit retaliates
against fake people who change themselves and their
appearance just to fit in with a certain crowd, while
the encapsulation, shuddering explosion of Pollution
rages against people who constantly criticize loud
music as noise pollution. The jazz-encrusted,
angry reproach of Stuck strikes out against
individuals who are motivated solely by greed and the
catchy, groove-laden Stalemate digs deep into the festering heart
of a relationship gone sour. Every song is a must-listen.