Skinny - Drums
Schmotz - Keyboards
J Mann - Lead Vocals
Jeffrey Nothing - Lead Vocals
Pig Benis - Bass
Gravy - Guitar
Bronson - Guitar
DJ Stitch - Samples
In the Spring of 1993, a group of musicians from Cleveland, OH came together
to form a side project called Mushroomhead. The intention was to create an
eclectic blend of extreme music combined with a vaudevillian stage show that
was bound to provoke a reaction, turn some heads and leave an impression.
From their first concert together in the fall of that year, it was obvious that
Mushroomhead would become far more than a side project. It was to become
undisputedly, Cleveland's top drawing band.
Blending sonics and attitude borrowed from metal, techno/industrial and rap,
they managed to attract a varied and demographically diverse crowd with their
thundering tribal drums digging a heavy groove, with big, snarling guitars and
keyboards filling in all the cracks with dramatic swells of sound. Taking a
cacophony of music, vocals and samples, Mushroomhead shapes it into
memorable tunes that are at once sharply satirical, broadly tongue in cheek,
and infinitely different. Described by the Cleveland Plain Dealer as sophisticated,
juxtaposing dense, staccato, Ministry-inspired tempos with spacious melodic
passages and dark lyrics that don't merely rely on repeated swear words, their
music stands on its own, but to fully appreciate Mushroomhead, they have to
be experienced live.
Combining outrageous costuming with the psychotic, exotic, neurotic and erotic,
their shocking stage spectacle which always ends with a rave set, lives up to
the music. Pushing the limits of rock theater to the max - their live show is truly
an event and a multi-sensoral experience. What gives the band more substance
and lasting appeal however, is their musical range. Everybody fights for what they
want in a song, says Skinny, Mushroomhead founder and pretty much everyone
gets their way - that's our strength. A song will start out sounding like metal until
a cool piano part comes in or the turntables turn it into a rap song. We all bring
our own tastes to the mix which gives the music diversity.
Alternately, it is in the costumed chaos of their writhing live performances that the
band members seem most alike and united. When you step on stage in front of
people, you know they're there for the release. Its what we are there for as well
and we try to give our fans everything they came for and then some, adds
frontman J Mann. It is these elements of risky and often risqué in
both their music and performance that have given Mushroomhead , a name, a
reputation and a massive, rock solid fanbase throughout the upper Midwest.
They have performed with Marilyn Manson, Type O Negative, Misfits, Anthrax,
Down, Gwar, Genitorturers, and although they are nothing like them. They headlined
the 1997, 1998, 1999 and 2000 Cleveland World Series of Metal, having national
bands such as Drain STH, Crowbar, Overkill, Six Feet Under, Pissing Razors, Nile,
and many others open up for them. They have grown into a regional phenomenon,
easily and consistently selling out shows with up to 2500 capacity, a feat many
national acts with major record-label backing and big publicity machines often can
not duplicate.
XX, Mushroomhead's national debut on Universal Records, is an offering which
combines the best of their independent releases in remixed form, as well as a
brand new cover of Pink Floyd's Empty Spaces.
Diverse yet cohesive selections from their self titled local debut
(1995),
Superbuick
(1996), and M3
(1999), showcase the band's musical breadth as it slips
from techno to the brink of industrial metal delivering songs, complete with verses,
hooks and choruses. From the band's creative use of spoken word samples on
Episode 29 to the track Bwomp, which throws it all down, careening from an industrial-meets-hardcore opening through rap, ambient, dub and techno sections
in a breathtaking roller coaster ride, XX lets the music speak for itself.
Rocking the subconscious, they are a universe onto itself. No doubt, Mushroomhead
didn't become Cleveland's biggest draw by worrying about offending anyone.
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