Nelly Furtado hails from Victoria, a quaint, quiet town on the western shores of British Columbia. Furtado found her way into the music world kind of on a whim, a first-generation Canadian, the daughter of working-class Portuguese parents. Her mother is a former church choir singer, while her father -- a fan of Portuguese music styles, known as "fado" -- sings as a pastime. Her grandfather played instruments, and even her great-uncle was a renowned Portuguese marching band score composer. All of these family elements inspired Nelly's passion for music and a broad spectrum of musical genres at that. She spent eight summers working as a chambermaid with her housekeeping mother, quickly realizing what it meant to work for a living.

By the age of four, young Nelly was playing the ukulele and singing in Portuguese and English, and was the trombone player of a jazz band, concert band and marching band, from nine to eighteen. Her vocal chords and dance skills were also useful with her involvement in musical plays. She knew early on in her childhood that she wanted to be a performer, and her dreams were realized via several chance opportunities and events throughout her life. Nelly received a tape recorder and microphone when she was eight years old, which served as a key part of her musical influences. With the help of her tape recorder, Nelly would sample the sounds that impressed her, similar to those used by popular '90s acts. She sang into her microphone and recorded original sounds with the "scratch effect" of her keyboard.

She turned to music for enjoyment, learning to play the guitar and the ukulele, and listened to mainstream R&B like Mariah Carey, TLC, Jodeci, Salt-N-Pepa, and Bell Biv DeVoe. Later, she delved into her older brother's collection of Radiohead, Pulp, Oasis, Portishead, the Verve, and U2, pushing Furtado to fully embrace different musical genres, specifically Brazilian music and material by Nusrat Fateh Ali Khan and Amalia Rodrigues. Hip-hop was also a big catalyst in shaping Furtado's musical appreciation. After high school, she headed to Toronto where she worked at an alarm company by day and experienced the music scene by night. She joined a hip-hop duo, Nelstar, and this opportunity led Furtado back to her hip-hop influences of De La Soul and Digable Planets. This allowed her to get comfortable with writing her own melodies and freestyle rhymes.

The tribal beats and bossa nova sounds evident in her music come from the music she was exposed to later on, such as a Brazilian compilation album that combined African and Portuguese styles. The album is the product of her participation in a Toronto young performer's talent show at the age of 18. The manager of the Philosopher Kings, a popular funk/pop group, who was also present at the show, was impressed by Nelly's talent. The only real recording experience she had up to this point was singing back-up vocals for her friend's Toronto-based hip-hop group. But that was enough to cut a demo tape with the recording team of Gerald Eaton and Brian West (of the Philosopher Kings). After much convincing on the part of Eaton and West, Nelly returned to Toronto to record more tracks. With his help she produced a demo that eventually led to a record deal with DreamWorks Records. She also toured with Sarah McLachlan and the gang on the popular Lilith Fair in 1999. Nelly Furtado's debut album Whoa! Nelly was released in September of 2000 and the first single Like A Bird steadily flew up the charts.

A headlining tour of the U.S. in spring 2001 sparked more interest from fans and critics, and a spot on Moby's Area:One summer tour allowed singles "I'm Like a Bird" and "Turn Off the Light" to receive bigger praise. Furtado's greatest achievement followed a year later when she earned four Grammy nods, including Song of the Year for "I'm Like a Bird."

"I made this record because I was inspired by Cornershop's When I Was Born For The Seventh Time," she states. "It was pop music, but it was a mixture of pop and Indian music, which I found totally exciting. [Beck's] Odelay had a similar effect on me. It was super-creative, wonderful-sounding, full of integrity - and not melancholy. Sometimes it seemed that everything I liked was sad, so hearing that was very meaningful for me. Those two records made me realize I wanted to make a pop album, something with the edge of the Portuguese and Brazilian music I love, but also something happy. I liked the challenge of making heartfelt, emotional music that's upbeat and hopeful - like Cornershop and Beck and Bob Marley have been able to do."

Folklore appeared in November 2003, nearly two months after Furtado gave birth to her first child, a daughter named Nevis. The record was a general disappointment, failing to capitalize on the success of her previous work. She didn't return to limelight until summer 2006, with her third record, Loose. Produced almost entirely by Timbaland and boasting a much more appealing and timely style, the album earned significant attention, putting Furtado's career back on the fast track. Lead track "Promiscuous" became an instant hit, earning her a number one spot on the Billboard Hot 100 chart. Loose also topped the Billboard Top 200 album chart during its first week of release in later June 2006, becoming Furtado's first-ever number one album.

But Nelly understands that there are other musical avenues yet to explore. "I'm ready to move on," she says. "I want to grow and develop. I'm just gonna keep on writing and see where it takes me."